first repress ever of a must-have compilation of classics: frozen border at its best! limited to 200 copies. diverse, spaced out, jacking techno compilation - tip!

ok, to call this album long awaited or highly anticipated would be a non sequitur. what lies here before you is sculpted out of the blood and tears of 5 years of life, and all the dreams, imagination, tristesse and longing that goes along with it. the name orgue electronique shouldnt be new to you, cause it isnt. for over a decade it has been lurking in the periphery of house music - forever too early or too late for the trend, be it as a solo artist or working alongside legowelt. but it seems the apotheosis is finally here, in the form of this mesmerizing double album: wholly matured and further enhanced by collaborations with luminaries like robert owens, alden tyrell and cult hero fre2k. but to just dismiss this as a retro house record would be to sell it short in a big way. sure it was influenced by the usual bunch of pioneers and icons, but this is not an epigone, this is music that is. its warm and generous, made up of real emotions, of moments frozen in time and of the impassioned cries of a soul on the run. thats right, this aint no hipster shit dime-a-dozen facebook house gonzales! to finally let it go after so many years is - for all the parties involved - a strange yet exciting moment, not unlike the birth of an elephant baby. out of a human female

alden tyrell hooked up with mike dunn for some new work!. a golden combination which already worked out great as we learned from the heavy remix tyrell did for the murphy jax & mike dunn collaboration (its the music - cat# cjfd06). tyrell always jamming and playing around with his synths had some tracks inspired by early mike dunn songs. so the obvious happened ... the hooked up for some appropiate vocals and here it is ... touch the sky! a peak time acid monster with mikes vocal chant in the style of his classic md3 projects. gerd is on remix duty here and delivers a killer remix with a more traditional chicago groove and build up. clone head honcho serge had some studio time with tyrell for a dub mix. the serge & tyrell dub mix turned out a bit wild and became a classic piece of piano and dx bass driven chicago house music with stuttering vocal samples and a acidic synth line. another strong clone jack for daze!

frustrated funks limited vinyl series drops another crazy slice of experimental electro wax. gary kempston, brother of clatterbox, and co-owner of the z-bop label has been on frustrated funks to-do list for a long time.we have been running his music though the frustrated funk quality control for some years and now the time is right to drop this amazing collection of tracks. goliath has his own fresh and unique sound palette and his music is miles away from anything else.all nicely packed,highly limited hand stamped and numbered colored vinyl. grab one before its gone!

played and supported by kenny larkin, laurent garnier, adam x, speedy j, norman nodge, dvs1, pig & dan, perc, max_m, jonas kopp, freddy k, kirk degiorgio and more. cannibald ? do you remember something about an lp of the 90s signed by leo anibaldi ? yes! its the label of leo anibaldi. until three years ago his releases were on vinyl. then he continued in digital format until now. now its time to release again a special vinyl!luigi acidmachine is an artist who has been behind for years very underground projects, as part of the crew also historical (see virus-rome in the 90s). here comes with three tracks, powerful, intelligent, and demonstrating the evolution of his mind and his ability

played and supported by luke slater, dvs1, laurent garnier, adam x, marcel fengler, samuli kemppi, inigo kennedy, jeroen search, truncate and more. asr is a record label with a strong inspiration in cosmology, physics and science fiction. with one foot in detroit and one in birmingham, asr is getting the techno in its original form beyond fads. we are believers in the true conception of electronic music as artistic expression and as message. our first release is also the first volume of the series vla, named in honor of the radio telescopes system in the very large array of new mexico (usa). radio transmission true to the sound of detroit and influenced by idm and the birmingham scene, radio trasmission presents a crude and analog sound, sometimes simple and sometimes twisted, synthesizing unconventional elements of the dancefloor with complex sounds and structures. the first track,grote reber, works around the omnipresent tr909 and the classic dx100 solid bass sound, building a powerful and effective track. in interferometry, a heavy and deep sub bass, leads the track around dub and post industrial ways. cyg x-1, is the only track that isnt 4x4, with noisy and punchy stabs all around, this works perfectly late in the night and in more uncommon sessions. the last track,vla is more melodic and relaxed. it is the perfect end for the whole record.

>the musical styles on moon harbour inhouse vol. 4< range from the deep house of luna city express and ekkohaus to the reduced groovy tech house á la tini & marc antona, andy catana and boris werner and the floor fillers by reboot and dan drastic. in this sense the selection of tracks mirrors the current breadth of styles represented by the label in its 12th year. since the third inhouse compilation, a lot has happened at moon harbour. in addition to the releases of the albums hello from planet earth by luna city express (2009) and paradigm shift by martinez (2010), the tenth anniversary of the label was celebrated with gusto in 2010 complete with the compilation and club tour, ten years of moon harbour. the year 2010 also marked the birth of the monthly moon harbour radio show. luna city express and dan drastic have been taking turns producing this show, which has already had more than 25 editions.

killekill herewith announces the start of a sub label focussing the housier side of what we like. killekill house trax starts with the release of a great track by alex cortex. quite uptempo but groovy as hell oh yeah comes along with a strong reminiscence to classic chicago house with its strong bassline and the catchy vocal sample. tyree cooper added a simple but well working piano and packed the original into an even more classic outfit. oh yeah!

black key records continues an excellent run with its third deep house release, >metacoma< by chamboche which is backed by two remixes from underground quality/tsuba ltd artist blm.
following tracks and remixes from andy ash, ethyl, jonny cade and ugly drums, this is another must-check from one of londons newest imprints.

semtek leaves the comfort of his excellent dont be afraid imprint to supply the third 12 inch on andy blake s in plain sight label, following stellar turns from youngtee and maarten van der vleuten. its not the first time blake has called on the london-based producers services - world unknown devotees will remember the monolithic >tacos for dinner< cut in association with chardonnay that appeared on that labels most recent 12 inch. >couer de lyon< is a chunky house jam of the highest order, shuffling hats, a stripped back bassline and a vocal many of you will recognise from one of mks most legendary remixes combine for a cut that overflows with sultry late night passion. flip over for some soundtracky house in the shape of >beaufort<, an analogue jam in the mould of legowelt that retains a club-ready potency and thus offers a more heads-down alternative to the a-side.

praterei might not be the most prolific of labels, but the quality is always way above the quantity. the fourth release on the viennese imprint comes from local boys done good the new tower generation, with a heady two track offering that fits right in with the labels ethos of focusing on the essence of house. the amusing titled >horny goat weed< is a perm twisting delight, with the grainy string sample remoulded to align with the loose jacking rhythms and rave indebted keys. >trembolon< finds the new tower generation in an altogether mellower mood, building with poise from its sonorous beginnings to a glorious mid point crescendo of rising synth lines.

the legendary retro-vert returns! the series of free, in aid of charity and annual boat parties (co-run by ben sims) is back and now adds a record label to its mission. with its focus on authentic acid house, electro, disco and rave, its the latter that launches the imprint with 3 huge 1991 style uk hardcore tinged techno cuts for the real party djs out there, all lovingly recorded by the mysterious barrow boy.
comes handstamped on transparent red vinyl

karat welcomes a new band for the release n°47. we are happy to host some canadians again on the label. the mole, guillaume & the coutu-dumont, egg and eddie c have already represented this country for karat ! these guys from vancouver know how to make it right ! 3 massive tracks, « boomer » in a rough and fat pumpin style, with nice breakdowns and atmospheric landscapes, perfect for the club, nice for home, « full moon cycle », the depest piece of the record, doesnt need much precise words. its simply beautiful moody and elegant music, « house of business » is a nice groovin track with deliciously arranged with typical jazz elements, brass & keyboards, in a pure canadian cut-up house vein

in the beginning god created the bass drum. he made it beat 8.601 days. then he left it away. god said: death is the greatest work of art. and its expensive. finally infinite. thats politics and science and art. the art of omission. the art of refusal. death is absolute. the bass drum is absolute. do you want the absolute bass drum? if you manage to convince him, god will be happy to lend you his axe, because what happens is what he wants. just like the people. they want it to happen, too. the most expensive work of art in the world is a skull encrusted with 8.601 diamonds.

mogahertz is the producer of the new publication on sonoro records. the second vinyl release les panoplies couleur attempts to combine minimalistic house with dry sounds and trampling harmonic grooves.the new sonoro ep is complemented by friendly trumpets,natural sounds and parcussive instruments.the remix from miss sugar its a minimal funk track, with powerful bassline and elaborated groove,can bring you in the shadows and make you dance in a dark spectral atmosphere.dubphone bring us to the oldschoolvariation, warm sounds, chilling atmosphere.its the right track that you should listen drinking a fresh long-drink to the beach at the sunset. ambassador,the second original mogahrtz song, transported lovely feelings and mysterious sensations.that evocate you in a parallel world.sonoro put in the market a complete release with all the requirements.

the rebirth of cool m=minimal is pleased to release a masterpiece of the early 21st century on vinyl. till the old worlds blown up and a new one is created is an outstanding work of reductionism and minimalism. martin brandlmyar ( radian / trapist / kapitalband 1 ), werner dafeldecker ( polwechsel, david sylvian, autistic daughters) and christian fennesz ( touch / mego / thrill jockey ) on this record created a new kind of cool jazz coupled with a big portion of new york school ( cage, feldman, brown und wolff). its hard to describe the music with words. this work reveals his secrets only after listening to it a couple of times. it grows with each time you listen to it. in this work, silence and noise are never used as an end in itself. as equal parameters they stand in the composition that also has space for some tonal >flower<. our recommended listening time is – round about midnight.

its been a long time coming but house sound is back with its fourth release. nicholas label brings together five emerging talents for a huge 12 inch release. mat chiavaroli and massimo di lina take care of the a side with two low down deep house grooves. the b-side is a funky affair with tracks from jordan peak, bubbin dub and yuri shulgin. absolute killer!

limited reissue of a very rare and highly in-demand 1986 12 inch from indian ocean, alias of late great disco legend and sleeping bag founder arthur russell. although russells original version on side a is fantastic in itself, the stunning abstract walter gibbons mix on side b is where its all at. with irrepressible madcap gibbons at the helm, the track mutates into a strangely subversive dancefloor odyssey way ahead of its time which still sounds futuristic today. with a raw sparse experimental sound, this progressive sonic journey rolls along for over 10 minutes pulsating with a jazz-influenced interplay of funk-heavy bongos, stabbing synths, off-the-wall vocals and russells trademark cello. one of the great moments to come out of the vibrant art/disco not disco crossover scene of 80s new york - dont miss your chance to bag a vinyl copy of this obscure gem.

when the house music phenomenon was beginning, chicago djs like ron hardy and new yorkers such as frankie knuckles and larry levan would edit records for their own purposes, removing the parts they felt to be superfluous, concentrating instead on extending grooves and hooks, often adding their own basic synth lines and toughening up the percussion with what have now become classic synthesizers and drum machines. warehouse classics vol.1 holds 4 killer tracks going from obscure disco to new wave, first popularised at the music box and rarely heard anywhere else. sir leon greg (another incarnation of perseus traxx) jams out then reinforces some edits of forgotten classics with a raw & personal analogue treatment for a devastating full effect on the dance floor, that is a far cry from the proliferation of over-produced squeaky-clean software edits. these are basic, raw ideas thrown down quickly and capturing the energy on 1/4 inch tape before moving on to the next set of sounds. musically, its as delightfully funky and uncomplicated as youd expect, a mesh of disco tracks and heavy, effect laden, machine-funk. essential item!!

sleep ds bacon ep is the next offering from sydneys excellent death strobe imprint. sleep d are a couple of young cats from melbourne, the production duo are sure to be an integral part of the deep house explosion coming from their city, spearheaded by the likes of tornado wallace, fantastic man and the melbourne deepcast crew. the record has a range of flavours all tied together by a fundamental warmth and soulfulness. the title track flows and floats in a dreamlike state, whilst simultaneously nailing the groove from beat one. bubbles vs the cat takes it up a notch, entering the club realm with rich bass and tight rhythms. their remix of chet fakers love & feeling is certain to give any dance floor a collective orgasm, oozing an erotic strangeness as it heaves and thrusts away, while ischa has a tickle of techno thrown into the mix and, despite its druggy sedation, has a hidden energy for dancing feet. one limited pressing.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. its loosely connected to sleazy mcqueen and his assorted cohorts. whiskey disco no.13, ruff n stuff, can hardly be contained on a single plate of wax. all four tracks have been tested and audience approved! on the a, deep&discos rework of i wanna dance with somebody and alkalinos ruff n stuff are both stripped back and bass laden grooves. the b has two mid-tempo grooves from newcomer, debonair and portuguese duo, johnwaynes.

on >work that shit party<, a fingers inc. style rhythm buttresses a two-note riff, a crackling male voice filtering in from the ether. a pinging keyboard zips around before that two-note flicker expands and contracts, warps and wheedles. but around halfway in, a female vocal refrain of >gonna work it out< breaks fat lacerations into pinholes, blaring keyboards seeping in through the gaps and crevices. then, as with >d117<, it is the congealing of all these disparate elements: a work it out from fischerspooners lizzy yoder sashaying with the two-note riff, the keyboards bouncing off the ceiling, and flaring hi-hats fraying the surface played by pat mahoney (lcd soundsystem). each portion is given its due, only to make the ensuing combination that much more enthralling.

owain k from wales is starting his new deeper techno and hi-tech soul project ktrl on 200 records. title track a1 >colonius< brings together brash filtered rhythms, towering chords, haunting melodies and pumping bass - a jam of epic proportions. followed by the smooth chords of >aufstieg< on a2, this deeply soul fuelled ride sweeps you to the next level. inspired by the classic sounds of lil louis, flipside b1 >bützchen< pays homage to a true school master with its warm embrace and layered melodies. finishing off in style, the old school vibes of b2 >offen< makes way for a slow bass driven groove that builds through dub influenced synth washes and filtered sweeps

just in time for the summer we present to you our fourth release. this time its a debut release from the new producer sasha panic from malmö. the track is called the trick and comes with two remixes, one made by hans berg and the other one by luca lozano & johanna knutsson from klasse recordings. a slow and funky original track with two dubbed out remixes, all with a nice open air vibe to them. the amazing artwork is as usual made by kid kroft.

complimenting the original version, playout have assembled an all-star cast of remixes to create one of the most essential releases youll hear this month. tigersushis joakim, new yorks com truise, and finally its the turn of the uks optimo, creating the perfect warehouse moment in the process.

another limited edtition ep (300 copies!)vinyl is the answer, dont miss it! after the big success of the first part of underground warriors ep, heres the second part, definitely more dub than the first one, except for fabio monesis track, a very uptempo, energetic track that captures a perfect 90s feel, emphasized by the raw sound of fabio monesis machines. the ep includes also the finnish deymare, recently released on local talk, morris audio, hizou.jack the love has a deeper and more chicago house feel to the last two tracks, it has nice jazzy instrument samples and a nice subtle vocal. again this track has a perfect 90s feel.

featuring the rolling, techy vibes of smashface and the paranoia inducing test subject, jade (with the help of ryme tyme) continues to push eatbrain to the forefront of neuroconnoisseurs everywhere.smashface (feat. ryme tyme): beginning with an ominous intro full of dark twangs and rasping clicks,smashface revs up the tension until jade pulls the trigger one of the meanest basslines around. a thumping subbass dominates, with precision synths and the molten, lyrical delivery of ryme tyme skittering over the top. a perfect blend of relentless drive, flawless production and infectious vocals,smashface comes from renowned two artists who continue to innovate. test subject sees jade change the pace and bring forth the darkest vibes. featuring an intro that wouldnt seem out of place in a horrsor film,test subject is neurofunk at its most menacing. after an atmospheric built up, the track transforms into a sophisticated roller, with all the hallmarks of another classic jade production. combining unsettling synth stabs with a submerged sub and ominous pads,test subject delivers a claustrophobic, paranoia inducing groove will find its way into only the grittiest dj sets.

turbo presents the latest in its stable of new techno artists with a powerful ep from belgiums locked groove, hot off a much-hyped release for scubas hotflush imprint!

straight from buenos aires, brimful of sun, comes brouqades latest release. nina soul convinces with his intense, pulse-pumping house productions. pushed by an extremely funky vocal, >feel you< rolls in on a wave of gentle piano chords just to capture you entirely by concentrating on its crystal clear, cracking beat. >to me< interweaves smooth groove with finest old school elements, discretely tightening the track with acid vocals in the fill, to end up cool and relaxed, pouring out into balmy summerparty nights. in >try to pretend<, the dark, metallic sound encounters melancholy female memory on a sigh (well...). faster looks at the matter more pragmatically. in his remix, his focus on sound and mood creates a hypnotic track - entirely devoted to the dance floor and to the children of the night.

continuing motechs 10 year celebrations and a kick-ass party at londos fabric last month, dj 3000 now presents 10 years of motech (the remixes) part 2 ep ahead of the full length remix cd due this summer. part 1 already saw both dj 3000 and sascha sonido take on gerald mitchells belly dancer from mt-008. now uk techno legend, mark broom takes a brief break from his beardman imprint to add this killer interpretation for an impressive opener. next up we turn to goodlifes kiko who doesnt disappoint with his driving new rendition of dj 3000s defiant (mt-015), toughening up the original but still maintaining its funk-fuelled roots. the rest of the ep features a remix a track taken from franki juncas 2011 album invisible moods. firstly,ill be around gets the remix treatment from detroits luke hess, whose releases have appeared on the likes of echocord, kontra-musik and the mighty planet-e delivers a moodier take on things, with deep pads and a grooving beat.

the hotly tipped out-er label returns with a superb new single from andrea santoro aka santorini, featuring 4 tracks of deep techno and broken beat electronica, italys out-er label has made quite an impact in its first year, dropping stellar singles from the likes of analogue cops, luciano esse as well as two standout various artists eps. the label has received support from djs as diverse as craig richards, ben sims, tazz, m50 & 2562 and has received critical acclaim from the likes of dj mag, resident advisor, de:bug & raveline. out-ers musical outlook has been extremely open with an emphasis on quality techno and post dubstep electronica and its in that vein that andrea santoro takes up the mantle for his latest single the smooth ep.

2012 - we are milleniumized neo, more than ever before. 1993, when techno was all over the place, german experts tommi eckart (at that time not 2raumwohnung yet) and ralf hertwig (at that time not palais schaumburg anymore) released a track, which found its way out there as a legendary underground-club classic in germany,england, benelux and france: the beat just goes straight on and on. its been sold out for years, but djs still play it in the clubs and it never lost its beat. now in 2012, almost 20 years later, the vinyl reissue being released, including the original cut and a remix by matthew styles & tobi neumann. it just goes on and on, enjoy!

shit robot returns with his first new material since the release of his debut long-player, >from the cradle to the rave<. after spending much of 2010 and 2011 touring the globe with his live show – including a string of dates opening/performing with lcd soundsystem during their final shows in nyc - the rebooted robot is back with >the green machine<. the first result of his stuttgart/new york studio adventures is a double-header of dancefloor jams, >teenage bass b/w >space race<, which is released on vinyl and digital on dfa on may 21 2012. its the first in a series of releases called >the green machine<, which will culminate in an album early next year. lead cut >teenage bass< rides a rude ebm bassline and rave alert sirens, before expanding further with key changing chords and a defining arpeggiator. the hypnotic >space race< is a distant relative of 2007s chasm – a meandering, melodic, star-gazing robo-techno workout

the first release from nm black is ganja man, ganja woman, produced by nm’s new signing killa mosquito, a production collective fresh on the scene fronted by curtis lynch. in keeping with the necessary mayhem tradition, the bass is at its maximum and the drums are even heavier. this bass-heavy track features vocals from international reggae star, mr williamz, as well as a host of samples from old-school reggae soundtapes. on side b of the release, there is an exclusive dub from killa mosquito entitled ganja dub. less vocals, more bass!
already getting love from mainstream radio djs, such as rinse fms crises, this track, and label, is set to be massive.

discovering and nourishing fresh new talent is one of the primal thrills of any labels a & r process. unearthing production gems that spring up close to home doubles the enjoyment. culprits next release – its 23rd ep – ticks both of those boxes while fulfilling the labels foremost mission of delivering quality authentic dance music of depth and feeling.

rob was an enigmatic recording artist from ghana who cut two albums for the legendary essiebons label in 1977. neither of these were big domestic hits at the time and have since become prized amongst collectors in recent years. the title track from this lp was always one of the most popular on the first soundway release ghana soundz and over the years soundway has been asked many times to re-issue the lp in its entirety.

having brought 2011 to a close with two sell out releases (oh my days & highlife) under his belt, a growing fan base which counts ricardo villalobos, andrew weatherall, gilles peterson, caribou and jackmaster amongst its members. lining up residencies at the legendary plastic people in london, glasgows sub club and festival appearances this summer, auntie flo has been on a roll!it now gives us great pleasure in presenting the future rhythm machine.

with the beautiful melodic sensibility of borais synth lines meshing with octobers jacking body beats, they fuse to create 2 sublime slices of warm, deep, but propulsive blends of slo-mo house, techno, & bass. >i didnt mean to< has a detroit techno soul feel with bukem style bass stabs and rainforest jungle ambient noises, whilst >palmarosa< is a sure-fire set starter, taking its time to build with cavernous bass stabs adding drama until the heads down jacking ensues.

following dj qs vinyl-only brandy & coke local actions second release of 2012 comes from slackk – one of our favourite djs and producers.paul lynch has been one of londons best kept secrets for years, he founded the pirate radio website grimetapes, and produces as both slackk (releases on numbers) and patrice & friends (last years cashmere sheets album featured high on fact and the wires best of 2011 lists).raw missions is his most substantial statement yet – a tribute to the widescreen grime of producers like ruff sqwad, wiley, oddz and alias, all massive influences on both him and local action. its heavy with a tinge of longing, and full of power.first pressing comes housed in an album-style sleeve with spine

forging a fantastic fusion of modern electronic pop, human woman are the new signing on hamburg’s hfn records. originally hailing from iceland, the band consists of gísli galdur thorgeirsson of prolific icelandic band trabant, and producer jón atli helgason aka sexy lazer. now after the launch of their debut single,delusional, with its sensual, indie-dance roots and pleasing 80s/90s undertones, we see the pair expand their vision of modern electronic pop with a feelgood, rich and edgy album spanning 11 glorious tracks.

props can only be directed to his home base label, tiefschwarz: souvenir music and to his music crony, rampa for nourishing re.you with the swing he needs to deliver the beats fans adore. and every so often he wanders about seeking labels to harvest his funky house seeds in. so when the berlin-based producer and dj planted a mind-blowing, full on dance ep at the mobilee headquarters to kick of the 2012 summer, they were thrilled to watch the magic flourish. the a side is home to mind your head, a funky vocal piece featuring daniel wilde with just the right drops between its smooth grooves. a crazy trip through the mind after a wild night out gives this track a boisterous appeal completely eliminating any dark and heavy elements. junction is on the flip and isn’t too far off the button as it keeps the upbeat tempo grooving with the background percussions. re.you hijacks the mood and keeps the number high-spirited and actively exciting by offering a non-stop party package.

the third and last format:b vinyl-package is adjusted! subject matter still is the current album restless which has been taken on by big name artists of the international surroundings of the two. in pole position a1 this time is the italian uto karem. he took a shot at piano man and hits the keys just like we are used to from format:b. with his version of socks & sandals the dutch dj madskillz comes around the corner. its his second pounding release on formatik records after his carnival chaos ep. a debut however is given by the also italian artist fernando tessis who keep his eyes upon warped and who went into the remix battle with trumpets and timpani giving no less attention to his demonstration of his garland of corn on b2.

laurine frosts long overdue second ep for thema is upon us in all its dark, oblique splendor. 2009s thematique showed the mysterious hungarian producers deft sound design and uncanny programming married with a wide breadth of musical tastes and unpredictable choices of composition. it seems that these attribute have only sharpened and are now driving a much more groove-focused approach. so enjoy this, yet another left turn from thema. we are proud to bring you the best from those artists working beyond the well-worn paths of electronic dance music and we are glad laurine could come back to guide us just a little farther off that path.
pressing on transparent vinyl.

supported by:jamie jones, benoit&sergio, ellen allien, groove armada, maya jane coles, catz n dogz, ben westbeech, sinden, dop, till von sein, deetron, marcin czubala, t.williams and others your mamas friend is back again to tempt us with the forbidden fruit of sleazy beats and warm rounded baselines. to date its been a fully polish affair, with viadrina and chmara winter joining label boss marcin czubala in providing the goods. today its another debutant, but this time were leaving the labels homeland as we head to the uk to meet a star on the rise, resketch.ste burnetts diverse musical range in both his dj sets and productions,find him falling somewhere within the swampy bass realm of house, garage and disco. his own productions have been described as having a unique and infectious energy thats driven by a bouncing sub-bass. a perfect fit for your mamas friend wouldnt you say? the no district label chief delivers a trio of treats in the form of his bound in binary ep

may 2012 sees the 8th release on krd, picking right up where the label was at with its last release a year ago. >bilal / spider< introduces the new project on land, a solo vehicle for label head edoardo arengi, who previously was in charge of production duties of the shadow sync releases. the title cut >bilal< again attests to edoardos technicall skills - almost twenty years of production experience do indeed show here. a strong minimalistic groove unerringly aims at the heart of the dance floor, and once the classic ride cymbal comes in, >bilal” is sure to have the people moving. for the flip, label owner and producer edoardo arengi teams up with a young gun of berlins techno scene. >spider<, produced together with rudmatis, to his dj-peers known as rødhåd of the dytopian music collective, goes for the darker end of the floor with a hypnotic bassline and slowly modulated sequencer lines. once you are caught in the net, there is no way out!

straight from germany, this talented producer delivered some of the best deep house music around. entitled >the first floor ep<, it starts with >show me< which is one of those eminently soulful house tracks with a sparse approach to production, all the elements sounding so crisp and distinct in the mix but judged perfectly. whilst >rooted< is a louche head nodder supreme. on the flip side, with >got that< hes creating an all-enveloping atmosphere with its oven-warm pads and rich analogue bass, punctuated with jazzy chords and vocal murmurings. >defense< showcases hes excellent knack for crafting moodymann style textures with the depth to boot, combining a solid rhythmic snap with drawn out vocal landscapes and detroit-referencing melodies. and to last,>trouble< is all brisk, upright percussive layers splayed over swooping disco filtration. nicks approaching house from various angles and tempos and naturally theres plenty of deft usage of samples, such an ep just demonstrate how on top of their game skylax / wax classic is right now - big tip!

martin brodins second single from the forthcoming album which is due for june 2012. it follows the successful badabing which featured diskjokke as remixer. strings attack is all about the strings for disco. ok,now you may think he gone all cheesy here, but that’s totally wrong.it still have the funkyness and groove it needs to be a full-fledged disco anthem in our ears. and we invited two of the most prolific producers out there to make this a rock solid release. switzerlands finest, headman (robi insinna), who we all know from his own relish label and releases on gomma. he turn the original to an uber-cool bass-laden track and makes it a bit more in-your-face to speak, while the original is a bit more freestyle. second out is spanish born ilya santana with his funky mellow take. its a perfect remix for those beach parties we all love.

wncl recordings tenth and final release in its 10 inch series is west norwood cassette librarys own coming on strong. the a side original mix was produced by chris simmonds, legend of the uk underground, and recorded at cross section records own house proud studios. the b side remixer should need no introduction. pangaea strips down the original samples to the bare bones and, predictably, delivers the unpredictable.

supported by: loco dice, marco carola, nick curly, mathias kaden, monika kruse, reyou, ray okpara, timidboy, sasch bbc, helmut dubnitzky, veitengruber. as mono recordings is steadily looking for young talented artists they definitely found some for their 8th extraction. presenting chicks luv us two guys from marseille along side their good friends amine edge and medeew who are also based in marseille. chicks luv us put up some pumping techhouse grooves and by all means you will hear a lot more of them in the future.